- Laura Mulvey- 'the male gaze'. Women sexualised for male pleasure. "to-be-looked-at-ness"
- Carol Clover - 'the final girl'. The female protagonist that survives the film (more applied to horror)
- Barbara Creed - 'the monstrous feminine'.
- Helsby - "voyeuristic pleasure"
- Gauntlett - "queer theory". Identities are not fixed. Useful extract.
- Freud - voyeurism (pleasure in looking)
- Vladimir Propp - antagonists vs. protagonists serve narrative function
- Todorov - equilibrium, disequilibrium, new equilibrium
- Claude Levi-Strauss - binary opposites
- Lazarsfeld - hypodermic needle theory. Passive audience. media 'injects' ideas.
- Gerbner - cultivation theory. Passive audience. Repeated exposure to same values.
(side note, I couldn't find any particular people to cite about colour theory so the notes above are mostly gender)
Going through my notes, colour seems to link with semiotics a lot with what each colour means. This has made me think of possibly changing my topics. Not quite sure yet.
I have also found useful notes on the Riot Grrrl Manifesto, Surrealism (some gender studies involved) and a few key films in reference to the theories; The Descent, Fight Club...
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